Belle Gibson built a ‘wellness’ empire on a lie about cancer. Apple Cider Vinegar expertly unravels her con

Netflix’s new limited series, Apple Cider Vinegar, tells the story of the elaborate cancer con orchestrated by Australian blogger Annabelle (Belle) Gibson.

The first episode opens with Gibson’s character (played by Kaitlyn Dever) breaking the wall between the performance and the audience, saying:

This is a true story based on a lie. Some names have been changed to protect the innocent. Belle Gibson has not been paid for the recreation of her story.

And from these first few seconds, we know, Gibson herself is not innocent.

A familiar story

For anyone who followed Gibson during her rise to fame in the 2010s – or her spectacular fall – the show feels eerily familiar.

From the clothing, to the makeup, to the food, Apple Cider Vinegar excels in set design and staging. Every effort has been made to ensure this true story, based on a lie, looks like it did when it was unfolding on our phone screens in 2010s.

As someone who followed Gibson closely and spent months hunting down the recalled cookbook to see if the health claims were as outlandish as I’d heard (they were), this show was a treat to watch.

The scenes are cut with recreations of Belle’s stylised Instagram pictures of green juices, beaches and food with “no nasties”. Belle’s account was removed from Instagram after the massive public ousting of her hoax.

Apple Cider Vinegar has done an incredible job recreating this account and breathing life back into the deleted content.

Even after being caught out, the real Gibson claimed ‘unscrupulous natural therapists duped her into believing she was dying’, according to 60 Minutes.
Netflix

The cancer con

While the core story of Apple Cider Vinegar is unpacking Gibson’s lies and path to destruction, it also shows us a very real and heartbreaking side to cancer.

Other prominent characters include fellow influencer, Milla Blake (played by Alycia Debnam-Carey) and follower Lucy (played by Tilda Cobham-Harvey). Both of these women are battling cancer. We learn about their relationships with Gibson and how her lies so easily bled into their lives.

We witness how alluring Gibson’s lies were for people who were desperately looking to feel “well”. We understand her magnetism, and just as easily to feel the rage of the families who watched as their loved ones deteriorated. In the words of Lucy’s partner:

I’m not letting some influencer with a nose ring undercut years of medical research.

Apple Cider Vinegar demonstrates how one can be taken down a path of cancer treatment quackery. The allure of alternative medicine is presented compellingly when contrasted with the painful realities of traditional cancer treatment.

Milla, suffering from an aggressive form of cancer, seeks out alternative options after doctors recommend an amputation. She says:

I didn’t know the words to describe the rage I felt when the doctors looked at my body and only saw disease.

While holistic approaches to many diseases can be helpful when combined with traditional treatment, Apple Cider Vinegar illustrates how toxic it can be to “moralise” health.

When people assign moral properties to neutral health conditions such as cancer, AIDS or COVID, this can lead to stigmatisation and feelings of being “bad”. Some characters in the show talk about how their behaviours led them to sickness and how “healthy” actions would save them (rather than medical treatment).

The show also regularly uses language that is prominent in online health communities, such as referring to certain foods as “good” or “toxic”. In one scene, we see a character fall into a panic and call a holistic health professional after her parent takes a pain killer.

The real story

Apple Cider Vinegar is based on the book The Woman Who Fooled the World by Beau Donelly and Nick Toscano, two journalists who were instrumental in uncovering Gibson’s lies.

Creator Samantha Strauss crafts this story expertly. We see Gibson’s story from all sides. We feel sympathy for her – for her childhood and loneliness – before being put in the shoes of someone whose partner is dying because they followed Gibson’s advice.

Some characters and scenes have clearly been fabricated, such as when Gibson claims to see a doctor named “Dr Phil”. But these fabrications seem acceptable, because we are told from the beginning that’s what this show would do: create and fictionalise some characters.

Other scenes feel very real. The character Milla Blake, a fellow influencer, is heavily inspired by the real woman who died in 2015 from epithelioid sarcoma.

She made a platform online by sharing how she rejected traditional cancer treatment in favour of alternative treatments (Gerson therapy). Like Belle, she was a part of the inspirational speaking and author circuit at the time.

Alycia Debnam-Carey (left) plays Milla Blake, a character based on a real woman who died from epithelioid sarcoma in 2015.
Netflix

In their book The Woman Who Fooled the World, Donelly and Toscano speculate about how Belle got close to this influencer (to follow her pattern of success online) and to other cancer patients, including a young boy and his family (to mimic symptoms and appear more authentic).

Apple Cider Vinegar shows us hints of this behaviour. We see Belle begin to mimic the language of other people sharing their experiences with cancer and act in similar ways.

Whether or not you are already familiar Gibson’s story, Apple Cider Vinegar is a compelling watch. You’ll especially love it if you enjoy non-fiction productions that play with ideas of truth such as iTonya, the Tinder Swindler and Inventing Anna.

Apple Cider Vinegar is streaming now on Netflix. Läs mer…

ABC’s Optics is a clever, believable comedy that will make you second-guess what you see in the media

What does it mean to tell the truth? And how do we, as consumers of media, differentiate truth from fabrication? Optics, a new comedy series from the ABC, asks these questions through the setting of a public relations firm.

The show expertly balances humour with quick-wit, social media vernacular, and a level of marketing wordsmithing that make you question if the news has ever told you a true story.

The show is based in the PR firm Fritz & Randell and opens with the death of its aging CEO Frank Fritz (Peter Carroll), in a men-only board meeting no less.

After Frank’s death, the son of the cofounder, Ian Randell (Charles Firth) makes a bid for top spot. But the owner of the firm, Bobby Bahl (Claude Jabbour) is concerned with “optics”, so he puts two young women in charge instead.

Each episode follows a PR scandal, and we watch as the new heads of the company – Greta Goldman (Vic Zerbst) and Nicole Kidman (Jenna Owen) – grapple with difficult clients and, occasionally, even more difficult coworkers.

Greta and Nicole are put in charge in every way, other than with the official promotion attached.

Their young, spunky attitude and social media prowess is seen as a massive advantage. And it is. But it soon becomes apparent this move is much more than a feminist fresh-take for the firm – and is rather a bid to push some skeletons further back in the closet.

With outrageous lines such as “is there an emoji for miscarriage”, you are guaranteed an entertaining watch.

Jenna Owen and Vic Zerbst play Nicole Kidman and Greta Goldman, two fresh faces put in charge of Fritz & Randell.
ABC

A familar cast

You will probably recognise the show’s characters, either from your own office experiences, or your friend’s stories: the ageing CEO, people who act like they know more than they actually do, and young people talking about trends who may as well be speaking a different language.

Ian, who wants to appear as if he has all the answers, seems to have no idea how to say a politically correct sentence. Greta and Nicole have such a deep knowledge of social media trends and memes that their quick banter leaves Ian with whiplash.

The PR scandals that form the basis of each episode will feel relatable to a broad Australian audience. These characters – and the bizarre situations they find themselves in – effectively parody Australian contemporary media.

Optics balances ideas of truth and fabrication in a way that’s not only hilarious, but also believable.
ABC

Perfect timing

It should be no surprise Vic Zerbst (playing Greta), Jenna Owen (playing Nicole) and Charles Firth (playing Ian) put on a consistently convincing and funny performance.

The release of the show is also poetically timed with global conversations around online censorship, content moderation, algorithms and reliable news sources.

While focusing on a variety of PR emergencies, Optics takes us on a riveting exploration of marketing and language. For instance, one crisis involving an AFL player who drunkenly punches a priest is flipped into him learning a lesson about toxic masculinity.

Ian Randell (Charles Firth), the son of the firm’s cofounder, regularly butts heads with the two young women.
ABC

We see Greta and Nicole craft apology video scripts and find convenient medical explanations for workplace outbursts.

As a social media researcher and user, their approach to an apology video felt particularity familiar to me. Their redemption strategy is one I have seen used a thousand times by social media stars and celebrities.

Two sides to each story

The show’s writers balance ideas of truth and fabrication in a way that’s not only hilarious, but also very believable. When Greta and Nicole meet with Qualitus, an airline accused of scamming their customers, the Qualitus team presents them with an alternate story of clever marketing.

In the captain’s lounge, surrounding by celebrities and the elite, Greta and Nicole negotiate deals and flip the narrative on Qualitus’ scams, helping the airline evade public scrutiny.

Optics pays homage to the work PR professionals do everyday to save reputations and negotiate what information is shared with the public and what never sees the light of day.

The show will have you questioning the stories you yourself are presented through news outlets. Further still, it will make you wonder how many hands those stories passed through before they hit the papers and screens.

Optics is streaming now on ABC iView. Läs mer…