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Author: Jo Adetunji, Executive Editor – Partnerships
Original article: https://theconversation.com/brian-thornton-wins-the-conversation-prize-for-writers-for-his-story-convicting-the-innocent-249890
Congratulations to Brian Thornton from Winchester University who is the 2025 winner of The Conversation Prize for writers, for his story Convicting the Innocent, a look at the systemic barriers facing people wrongly convicted of a crime.
We asked academics to submit a 2,000-word article and book pitch for the competition, run in partnership with Faber and Curtis Brown, and were overwhelmed by the quantity and quality of submissions we received. It was very difficult to pick just one winner from across countless themes and styles.
Brian’s article and book idea was shortlisted by the teams at The Conversation, Curtis Brown and Faber for its strong storytelling, exploring systematic failings in the legal system, and the strong use of case studies that brought colour to this subject.
The judges said: “The research on the current failings of the legal system would be of great interest to the general public, especially following the fallout from the Post Office scandal. The essay is well written and punchy, if shocking and unnerving. The use of case studies to tell the story works really very well, and makes the piece immediately emotionally gripping – with great potential to work as a non-fiction book.”
Brian said: “I’m delighted and honoured to have won the Conversation Prize for writers. My article focuses on miscarriages of justice and how the system fails innocent people. It’s an important topic but one that is so often ignored by media organisations because of the complexity of the cases and the opacity of the legal system.”
I think that’s why The Conversation is different – it provides a platform for writers to tackle complex and challenging topics and allows them the time and space to do them justice. I’m very grateful for the opportunity to highlight this important issue – hopefully it may get people talking and thinking about how to solve it!“
Brian is a senior lecturer and programme leader for the BA (Hons) Journalism course at the University of Winchester, and a former producer for BBC Newsnight. He is also one of the founders of the Winchester University’s Crime and Justice Research Centre, which specialises in issues related to miscarriages of justice, and is founder and director of the Winchester Innocence Project.
Brian wins £1,000 and mentorship from both Faber and Curtis Brown. You can read his winning story here.
Close runners up in the competition were Yvonne Reddick for Fire on Winter Hill and Nicholas Carter for Living Stone.
Fire on Winter Hill blended nature writing, memoir, family obsessions and the politics of climate change and made an impression throughout the shortlisting process for both the style of the essay and thoughtfulness of the proposal, which showcased a great talent for storytelling. Written as a personal account following in the footsteps of the author’s father, who worked on oil frontiers from the North Sea to Oman, the judges said Fire on Winter Hill was an ”affecting memoir” that “beautifully and originally explores the link between mountains and oil.”
Living Stone gave a glimpse into a world we don’t ordinarily think about – turning the story of lichens and their relationship with stone into a highly original piece of writing. The judges said: “We’d also like to make a special mention of Living Stone, which explores how lichens bring stone to life – blurring the boundary between the living and the non-living. This topic has great potential to work as a book, arguing that western, narrow scientific definitions means lichens are ultimately understudied and undervalued.”
A big thank you to our judges, Miriam Frankel, senior science editor at The Conversation UK, Priya Atwal, historian, broadcaster and community history fellow at the University of Oxford, and Alice Hunt, professor of early modern literature and history at the University of Southampton. The Conversation Insights team Paul Keaveny and Mike Herd. And to Fiona Crosby, senior commissioning editor for non-fiction at Faber, and Elliot Prior, associate agent at Curtis Brown.